Catch up (or at least hello)

I’ve not had much to say lately. It’s school summer holidays so my days are busy with the boys. I’m still ill with my pyoderma gangrenosum, and a chest and ear infection which has lasted 5 weeks so far. (I’m waiting for yet more blood test results/autoimmune profile etc.) I’ve been taking large amounts of steroids and antibiotics, I think they rather drag one down. Off everything for the moment, except some steroid cream, and I’m hoping to shake the infection, start eating more healthily, take vits, maybe slowly exercise again. Gotta keep moving forwards.

I haven’t been writing.

What I have been doing is reading. Yay for words!

I’m now a reader for PANK, which you may recall is one of my favourite magazines. I’ve been finding it utterly fascinating being on the other side of submissions and noticing some of the recurrent themes and images. It’s so cool when you read a story or poem that dazzles. And it makes me feel that in some teeny (very teeny) way I’m putting a little (very little) back into the lit community.

I returned to work yesterday after 4 weeks absence. I was feeling rather shaky but ooh, it was lovely to be back. And there were some delicious books waiting for me. Yippee! Thank you to Joe for my copy of the very enticing Bristol Short Story prize Anthology (Volume 3). We haven’t yet got copies in store but they are on order. Plus I have a couple of proofs of books that I really want to read. Result.

Speaking of new publications, edition 1 of Fractured West is now available and looks super scrummy.

Erm, new bloggy look Part 2!

Sorry. I’ve changed again. The book spines in the background were bugging me. I’m way happier with the new design (from the delicious Yummy Lolly site.)

I’m ill, again. Still. Pyoderma Gangrenosum may be Nodular Vasculitis and I’ve been on antibiotics then steroids to try to reduce the inflammation. I have a chest infection so they have given me more antibiotics. I ache all over. One of my sons is ill too. We’ve gone to my parents to try and rest. I feel adrift in their house. My dad is in the lounge watching TV, my mum goes to bed early (and watches TV in there.) Ted is in our shared bedroom so he’s sleeping, and I perch wherever (kitchen/landing) and change my blog design, check facebook too often, and twitter, and feel weirdly alone. Then I cough. And cough. And sleep for an hour or so before I wake up coughing. It’s not so much fun.

Sweeties Like Radioactive Worms

I have a thing published at Beat The Dust. It is called “Sweeties like radioactive worms” and is the fictionalised account of the real life death of the author of the coffee reviews and recipe it contains. Regular readers here will guess that my co-author is Matt Kinnison.

I’m really pleased that Melissa Mann decided to run with this. I know it’s a bit odd. I also know that Matt would freakin’ love it!

Matt was Mr Caffeine, he loved coffee more than any other substance and was a real aficionado. A few birthdays back he sent me a package containing 4 bags of freshly ground coffee and a card containing descriptions, ratings and reviews of the coffees. He also wrote the turkish coffee recipe for me on our shared (now defunct) Live Journal. We had spoken about the possibility of us collaborating on some words. We wondered about him maybe illustrating a children’s story I would write called “The Bear and the Pickle” – only when we tried, his Pickle looked too phallic for a kids book. We ran out of time. We had wildly differing styles too – he was surreal and funny and abstract and, erm, I’m none of those things. But he loved my writing and encouraged me enormously. I said I would write a coffee story for him and asked permission to use his words.

After he died I set out to write the deepest, most awesome tribute to him. And failed. And failed again. And again. The coffee story became too important. However I wrote it was wrong. It became soggy where it should have been sharp, reportage where it should have been fiction, and the more I worked at it the worse it became. I put it away.

I got it out months later, looked at its blahness, its 5,000 words of well intentioned bad, and I cut it to shreds. Sliced and diced. Spliced in Matt’s words – et voila!

Matt loved William Burroughs cut ups and would love the fact that I have done this. I have no clue what anyone else will make of it, but that’s not so much the point. It’s the last of my Matt writings, and it feels good.

By the way, the very awesome title comes from Matt’s coffee recipe. Boy did he have a way with words.

Memory, truth, Louise Wener, and me

If you asked me who my best friend at primary school was, I would answer without any hesitation – Louise Wener. On the first day of school, aged 4, Louise introduced herself to me and told me we were best friends and that was that. I liked being told, it made it easy. I still wait for people to make the first move.
I have a fairly dreadful memory and the ability to wipe out huge chunks of my life. I kept diaries from age 11 and they show me a hideous version of myself that I prefer not to recall. Pre- secondary school there are no diaries, just a few mental images like grainy cine film:
Louise.
Snapshot 1.
Going to Louise’s house and being nervous. I think it was my first ever play date and I may have taken Floppy (my cuddly dog) with me for comfort. Louise’s older brother was there. He was incredibly tall, slim, and had brown curly hair. (Note, I have no idea if he is tall, brown curly haired etc, but in my memory he is.)
Snapshot 2.
Louise once ate cold fishfinger and ketchup sandwiches on a coach and was sick.
Snapshot 3.
One time a girl from the year above tied us up with a skipping rope and left us in the school field. I think I wet myself, I probably did; I was always wetting myself in Infants school.
Snapshot 4.
Talking to Louise’s mum over the school wall (they lived right opposite.)
Snapshot 5.
We walked around the playground pretending we were being filmed and making up stories. I think we liked to imagine we were on Jackanory, or that may just have been my own private fantasy.
Then there was another girl, Susan, who appeared on the scene from nowhere and there were three of us walking around the playground. I didn’t like it and was incredibly jealous, but I lived with it. I tried to make friends with Susan (I even went to her house, just once – her family were wealthy and had stables in their garden.) I went on holiday or some such, and when I returned Louise told me they didn’t want to play with me any more as I was too bossy. This was devastating. My first heartbreak, my first lesson in rejection (sadly not my last.)
I haven’t seen Louise since we left secondary school (where we were in different classes and a different class was a whole world away) but last week, after all these years, I discovered that this is not how Louise remembers it.
Her memoir “Different For Girls – My True-Life Adventures in Pop” has just been published and details not only her Brit Pop success with Sleeper but also, and more interestingly for me, her childhood growing up in oh so glamorous Ilford. And in it she states that from age 4 her best friend was Bernice Cohen. Bernice Cohen! (A girl I vaguely remember from secondary school but possibly have never spoken a single word to.)
I asked my mum “Who was my best friend at Parkhill?”
“Louise Wener. You and Louise were inseparable. “
“Was there another girl?”
“Oh, yes, Maxine. The three of you were very friendly.”
Maxine?
Who is Maxine?
Where are the memories of Maxine and Bernice?
Via the magic of Twitter I told Louise that I gasped when I read about Bernice because “As far as I was concerned from age 4 *you* were my best friend (until I was dumped for Susan. Sigh.)” And she replied that she had been left “Alone in that field with no one to play with while you and Susan took off together hand in hand. Sob.”
Eh?
Me and Susan? That did not happen. In fact, until Daniel decided that he liked my knees and ran after me in kiss chase, I was utterly alone. So how can she tell me that she spent an entire year alone? (Hmm, where was Bernice?) Gosh, so many tangles!
By the end of our tweeting we were wondering how Susan would recall it, if at all.
I am left thinking that if something that I know as fact is actually as flimsy as this early memory, how on earth am I to trust anything I remember at all? Truth is all about perception, I know I see purely from my own point of view but now I have to factor in that I am my own unreliable narrator.
It’s not often that one gets to gawp voyeuristically at an old school friends life and Louise’s book is a hugely engaging read. From the not too surprising revelations that yeah, the music press is largely made up of sexist twunts, and Alex James really is a buffoon, to the glory of being serenaded by Michael Stipe and appearing on TOTP (TOTP’s!) Louise shares her truths. Of course, the things that stick with me most are her memories of a childhood we shared: Pens worn on cords around our necks – blimey, I’d totally forgotten all about them. Moon-boots! Shrunken crisp packets as badges (really, what the fuck was that about.) The perfectly groomed girls in our year and the bitchy silence and whispers. The sheer awkwardness of knowing that you didn’t quite fit and never would. I like how this fairytale transformation from nerd to pop star is a real life version complete with a cool look at how the music business is, erm, actually a business, and how Louise saw her media image became cartoonish (feisty, gobby female, sigh) because bloody hell, even in the ’90’s women weren’t supposed to offer intelligent opinions on anything.
It’s an entertaining read whether or not you shared our 70’s/80’s suburban upbringing or were Britpoppy, and Louise writes well (she beat me in the school literary competition one year so she must be good, eh?)
I hope she lives happily ever after.


I am not gracious in defeat!

Well, I didn’t win the Short Fiction competition. One is supposed to be gracious in defeat but, frankly, bollocks to that. I am disappointed and In A Bad Mood. Why wouldn’t I be? My story has not been judged the best. Subjective as that always is, I would prefer my story to be considered the winner. That’s normal, right? Why don’t I ever read sulky posts by other bloggy writer people? It’s impolite maybe. I am being rude. Or unprofessional, perhaps. Ach, whatever.

I’m not so sulky that I can’t congratulate Jill Widner and the runners up, Jo Cannon and Louis Malloy though. Congratulations!

Nice things…

I made the final 15 of Short Fiction‘s New Writers Competition  and now nervously await the shortlist.


And I received an email from the Brit Writers’ Award saying “I’m sorry that you were not one of the finalists however you did come very close. In fact your entry into the Short Story category was ranked within the top 30  – out of several thousand!”


Which is pretty cool – unless everyone got an email like that just to make them feel better? They have offered me 2 complimentary tickets to the event at the O2. Smile.


One name on both the lists is Jo Cannon. Congratulations, Jo – I have my fingers crossed for you in the Brit Awards, though for obvious reasons not the Short Fiction comp!



Rejections

Being rejected is part of the writing life. Yeah, yeah, we know that. But it can sometimes really drag me down and I have been known to indulge in a big ol’ sulk. Other times I have a nano sulk and let the rejection bounce right off. Acceptances are joy – they validate and elate. Whoo hoo for acceptances. However nobody, no matter how shit hot a writer, is going to be accepted every single time. Not unless they are a “name” – one of those elite who carry so much weight with their history that whatever they write, no matter how shonky, is published. (And the reader who questions the merit may feel that it is their own lack that stops them comprehending the genius.)

When I am rejected I often hate the rejected story. I re-read and what once seemed good, solid prose can appear tatty, flimsy, pedestrian, unbaked. (I have a couple of stories this is not true of. I remain deluded convinced that they will be huge successes one day.) I may ignore the rejected words for a while, or edit, or fling ’em straight back out hoping they will find a loving home. There’s no strict routine, it depends on how my mood is.

Roxane Gay wrote a post about rejection etiquette on the PANK blog the other day.  I always find Roxane’s posts there, and on her personal blog, fascinating. In this particular blog post I was struck by the comfort to be found here:
“If you are only looking for a “Yes,” you’re perhaps not cut out for the publishing game. More often than not, the answer is going to be no because any magazine can only publish so many writers. We’re basically full through October online and about 90% full for our next print issue. The majority of the writing we receive is great but we, like most magazines, are in a position where we can only publish the writing that really grabs us, that really makes us fall in love, that really moves us.”

This post was written on 31st May and already PANK are full for the next five months. I know this is the way things are with them as I had an acceptance from them a couple of months back that won’t go live until July. They receive untold amounts of submissions, they are chock full, when they say no, it’s not always going to be that the words sucked arse or that you’re not good enough. And it’s not just PANK is it? It’s all of the quality magazines and journals. This makes me feel so much better. I know how many talented writers are out *there* in internetworldwidewebland. I want my stories to shine and stand out, and sometimes they do. That’s bloody brilliant.