Tiny things

My teeny story “Glimmer” is in a new magazine called “What the Dickens” – you can read it here, alongside words by Kirsty Logan, Angela Readman and Sandy East (amongst others).


I like wigleaf very much. It’s the coolest, smartest lit kid on the block. They just tweeted “Pre-written Facebook statuses (to save people time): “I’m rich!” “I’m smart!” “I play with the big boys!” “I’m talented!” “I’m important!””
Hee hee.


I feel the need to mention Pan Am. It’s clearly a Mad Men wannabe with no substance and nowhere near as much style as it wishes it had. I have to watch though because – Donna from Neighbours! Also, what the fuck is Christina Ricci doing? She seems to be channeling Betty Boop. 


In other bad telly news I am persevering with The Ringer purely because, y’know, she was Buffy. It reminds me of Sunset Beach in both a good and bad way. Also it seems clear that Sarah Michelle Gellar is not so great an actress but Whedon is such a genius it wasn’t a problem.


Toodles.

Flash fiction at The Irish Times

It’s lovely to hear that The Irish Times will regularly be featuring flash fiction, I think it’s an ideal form for newspapers. I’m extremely chuffed that my tiny story “Blown Away” was published in this weekend’s edition, especially as my Irish dad is proper proud of me now.

4 things

I read my new story – “The Mothers” – at Sparks and it is now available to read here. 

I am chuffed to have a story in the second issue of Fractured West. It’s a delicious publication – cute but with bite.
This is how gorgeous my short story case at Brighton Waterstone’s looks:
And this is what’s in my new “Brief Live’s – Unforgettable Words” case. (I prefer to call it Dead Brilliant but yeah, that’s probably bad taste.)

Review of Nik Perring’s Not So Perfect

I “know” Nik Perring from the online bloggy world, but I don’t “know” him at all. We aren’t friends, tho’ he seems like a nice guy from his twitter feed and his blog. We have mutual writing pals but we’ve never emailed or met or spoken or gone beyond commenting on each others tweets/blogs. I wasn’t offered a review copy of his flash fiction collection “Not So Perfect” (humph) but as I run a dedicated Flash Fiction section at work I ordered a few copies in as I like to mix classic books with fresh, contemporary work. 
From what I have seen so far, Roast Books create gorgeous publications; books that stand out because of how they look, books that demand to be picked up and held, explored, read. Nik’s is no exception. It’s a small book – the size of a CD, so immediately looks different. Here’s the cover:
Delicious, eh? I had a wee flick through and liked it enough to buy it.
I read it in my lunch break and on the train ride home. To be honest I was so immersed in it that I didn’t notice I was at my home stop until the last moment and that never happens. What Nik Perring seems able to do is breathe life into characters. It’s a vital, difficult skill, made all the more impressive by the brevity of these fictions. With just a few pertinent details he makes characters feel real. He makes the reader care. His stories are brief but full. I was surprised by how romantic many of them are; beautiful, aching examples of love and heartbreak.

A grumpy man surprises his wife with a message in flowers, a woman heard sobbing through a wall may bring hope, a spurned lover can’t recall the last time anyone said his name, a man finds a lump on his dates breast…slices of lives reveal human nature.

It’s a cute book containing 22 wee stories (each complete with accompanying quirky line illustration.) It costs £7.99 and is available to buy from Waterstones online, Waterstone’s Brighton, or y’know, one of those other places. 

Stories at Neon Magazine

 

                          (Image from Neon Magazine issue 23)

When Matt died I somewhat inevitably found myself writing about grief. Not as straightforward reportage, rather I wrote tiny, odd flashes of misery and loss. Three pieces in particular seem to belong together despite their differences. I call them Grief Triptych and am pleased to have found a good home for them at Neon Magazine ( a place that states it looks for “…the new, the experimental and the strange.”)

My second story at Neon is called “Inside VS. Out” and ostensibly has nothing to do with Matt at all. However, it was using his words “evenings of ordinary sand” and “moon worms” as prompts that was my inspiration. He wanted us to collaborate and write together and I hope that he’s cool with what I did.

Matt was very supportive of my writing and had an especial fondness for my concise flashes. Anyone who knew him knows from his music, artworks and humour that the weird, surreal and grotesque appealed to him. I hope he would approve of these fictions. I think he would.

The main thing I would like to say if any of his friends or family read them is that I wrote and published them in memory of Matt, but they are not about Matt. Rather, they are about me.

Most used words

I’d forgotten all about the nifty WordCounter tool until today it popped back into my head. I have put together a bunch of my flash fiction and was curious to see if there were any over used words. I tried to guess what those words might be. “Salt” maybe, I know I use that quite often. But nope, my most frequently used word was “look” followed by “one” “back” “over” and “go”. It was only after I sent my manuscript off that I realised if I put those most used words together they form a message.  “Go look back over one.”

Oops.

I also favour “say” “think” “get” “want and “watch” which I think flows quite well. As does “head” and “down.”

My list of 25 ends with “mouth” “little” “hand.”

What are yours?

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