I have a new story, Looking Back, up at Pithead Chapel. Please do read if you are so inclined. And massive thanks to those of you who have already read and tweeted and shared. Writing often feels like screaming into a void to me, so it was pretty intoxicating to get such a good response to this one. It’s a stonking issue featuring brilliant words from Megan Pillow Davis, Bradford Philen and Tara Isabel Zambrano, so even if you don’t like my piece I guarantee there’s something you will enjoy.
I’m chuffed to have a flash of mine published at The Journal of Compressed Creative Arts. If you’d like to you can read it here
But hopefully, it isn’t. Thank you to Lauren Becker for publishing Corium Magazine and including my short, short fiction – The Poet, Ted in the latest edition.
It’s the second in a trilogy of stories following the lives of Alexander, Lucy and Lily. Just like the first, Beautiful Words, it resembles a children’s book. (The third will be Beautiful Shapes.)
Nik is a flash fiction magician conjuring whole lives with small, careful details. He goes back and forth in Alexander, Lucy and Lily’s timelines and whilst describing various trees gently relates moments to it. For a book so brief it’s surprisingly moving, but that’s because Perring is extraordinarily good at this. A written review can’t quite explain how this all works. Suffice to say it is all very uniquely Perring. His words are accompanied and enhanced by illustrations by Miranda Sofroniou, and you should probably buy a copy for yourself and one for your favourite person too.
I’m chuffed that the very lovely Camroc Press review have published my flash “What’s Coming” today. And I just reread it and still like what I wrote. Imagine that. Please feel free to feed my fragile ego and tell me how much you like it. (Not even gonna put a winky face here.)
My brother sent me an email about a twunty colleague of his and I liked some of his lines so much I took ’em and turned them into a flash which the lovely folk at The Pygmy Giant have just published. It was fun to try and write in my brother’s voice and shape it into a wee story; I just hope his workmate doesn’t happen upon it and recognise himself.
I like the Editor‘s note for The Ilanot Review’s summer edition. They asked for submissions for a “hybrid” issue and wanted something different – work that “rejected labels.” The journal is packed with good words from super smart writers like Elaine Chiew, Sarah Hilary, Jonathan Pinnock, Angela Readman and Nuala Ni Chonchuir. It’s pretty damn cool to be appearing in a journal alongside them. I’m pleased with my piece, Immalore. At the risk of sounding like a twat, it’s kinda personal, but ambiguous too, and probably the closest I get to poetry.