I’m really happy to have my flash, Recall, published at Bull. It’s one of a series of prison flashes I am working on which are inspired by some of the men I’ve met while working in an open prison but are completely fictional.
If catholic statues and grief and so on are your kinda thing you might enjoy my new short story which is up at The Sunlight Press.
It’s astonishing how The House On the Corner takes us through eight years of the King family in just forty-five pages. How can a novella in flash have the feel of a saga? Each chapter adds layers to our understanding of the Kings. Woodhouse is skilled at taking her deftly drawn characters and revealing the quiet sadness inside them. There’s magic here in what’s unspoken. We recognise these people trying to make life work despite the disappointments. This is a tender look at a family; subtle, achy and memorable.
I hate how it often feels as if the writing world is only opened up by having money. If you can afford to pay for an MA, a writing retreat, a workshop, then you not only pay for the knowledge you gain but also the connections you make. The internet is a leveller. I joined a brilliant online writing group and have learned heaps from other writers, for free. However, if I want to submit my work to competitions there is usually a fee. I moan about this to anyone who will listen. Who will win a flash fiction competition that charges £9 to enter? A writer who can afford it. Someone kindly suggested on twitter I could email competitions and ask if they have reduced entry fees for those with a restricted income. It’s a terrific idea to offer such places. The truth is I can pay a £9 entry fee if I really want to, but I choose not to. I want the playing field I am on to be as open as possible.
I’m the Managing Editor of The Forge and we pay writers thanks to the generosity of John and Yosh Haggerty and the writers who submit using our $3 tip jar option. I know it’s unusual to have this private backing and it’s a privilege. I understand the need to charge money to make the prize fund. But… £9 for 300 words?
We are holding our annual flash competition this September and the prize is $500, publication, and, a 2-year subscription to Duotrope (thanks Duotrope). It is free to enter until we hit our Submittable limit of 300. There is also a tip jar option. Our tagline is “Literary excellence is our only criteria.” And it’s true. We are looking for stunning writing and that’s it. We are open to all voices with any background, race, ethnicity, gender, sexual and personal identity. I’m very proud of what we offer and would be grateful if you spread the word. Because it is rare to offer something for nothing I expect we will be inundated so to be sure of free entry get ready to sub asap. I know the writer tendency is to wait for the deadline (September 14th) and then fling something in just before midnight in a last-second scramble but we open on September 1st.
I’m looking forward to reading your work.
(I’m posting this on my personal blog because these are my personal views and I don’t speak for any other member of The Forge.)
I have a new story, Looking Back, up at Pithead Chapel. Please do read if you are so inclined. And massive thanks to those of you who have already read and tweeted and shared. Writing often feels like screaming into a void to me, so it was pretty intoxicating to get such a good response to this one. It’s a stonking issue featuring brilliant words from Megan Pillow Davis, Bradford Philen and Tara Isabel Zambrano, so even if you don’t like my piece I guarantee there’s something you will enjoy.
I’m chuffed to have a flash of mine published at The Journal of Compressed Creative Arts. If you’d like to you can read it here
But hopefully, it isn’t. Thank you to Lauren Becker for publishing Corium Magazine and including my short, short fiction – The Poet, Ted in the latest edition.
It’s the second in a trilogy of stories following the lives of Alexander, Lucy and Lily. Just like the first, Beautiful Words, it resembles a children’s book. (The third will be Beautiful Shapes.)
Nik is a flash fiction magician conjuring whole lives with small, careful details. He goes back and forth in Alexander, Lucy and Lily’s timelines and whilst describing various trees gently relates moments to it. For a book so brief it’s surprisingly moving, but that’s because Perring is extraordinarily good at this. A written review can’t quite explain how this all works. Suffice to say it is all very uniquely Perring. His words are accompanied and enhanced by illustrations by Miranda Sofroniou, and you should probably buy a copy for yourself and one for your favourite person too.
I’m chuffed that the very lovely Camroc Press review have published my flash “What’s Coming” today. And I just reread it and still like what I wrote. Imagine that. Please feel free to feed my fragile ego and tell me how much you like it. (Not even gonna put a winky face here.)
My brother sent me an email about a twunty colleague of his and I liked some of his lines so much I took ’em and turned them into a flash which the lovely folk at The Pygmy Giant have just published. It was fun to try and write in my brother’s voice and shape it into a wee story; I just hope his workmate doesn’t happen upon it and recognise himself.