I use NetNewsWire as my RSS reader. When I read something interesting I have got into the habit of adding the blog/site to my feed only to discover maybe 7 times out of 10 that actually I’m really not that keen. Then I start clicking through my RSS feed really fast, feeling a little irritated as I whizz by yet another thing I don’t want to read. It didn’t occur to me to delete the feeds because I suppose I always hoped that one day they would interest me again (or rather, I hate to miss out on anything!) What a waste of time! Blogs I never read much less comment on, stale advice to writers, one note funnies. Yesterday I went through and deleted loads. Ah! Freedom from a dull RSS feed. There is a new site that I have added though. Randall Brown (splendid writer and fiction editor at Smokelong Quarterly) has started a site that he hopes “will serve as a resource for all things flashy and fictiony.” The articles I have read are juicy, necessary, inspirational and just darn fab, so in good faith I can advise all readers and writers to add FlashFiction.Net to your feeds. Let’s learn, enjoy and debate flash fiction together.
Author: Sara Crowley
Anti-plagiarism day
Jane Smith, she of the fabulous How Publishing Really Works blog, has decreed today to be anti-plagiarism day. She has posted a link laden post which will lead you to all sorts of other writerly blogs and thoughts on plagiarism. It’s vital that writers discuss this very real problem. I blogged a while ago under the heading “Magpies and shiny things” after a couple of writing colleagues of mine discovered that another colleague had helped himself to their ideas. It’s such a difficult and emotive thing and nowhere near as straightforward as one would hope.
Personally I strive for my own voice. I hope that my experiences and thoughts can help me create characters and stories that other people will respond to. I want to be different. I want to stand out. I can’t imagine knowingly copying someone else’s ideas and feeling any satisfaction for success with something that wasn’t mine in the first place.
There’s an interesting post from Julia Bohanna at her blog “The Flea” which I’d like to draw your attention to.
Why you can take your "You must write every day" advice and shove it…
I think some people are born story tellers whether they choose to write them down (type them up) or not. I told stories before I could read, and after I could read I would sit on my swing and tell my “Jackanory” stories to the pretend camera that filmed me. I was a great gossip at school, I always knew how to get maximum impact from relating anecdotes and so on. I told true life stories in chronological order, I ramped up the anticipation, I delivered the punch lines with flourish. I still get irritated when people can’t tell me the exact details of things. “Ooh, what did he say when she said that?” I will prompt. It matters. I will see an old woman with a shopping basket and create a sentence about her in my mind, sometimes the sentence expands, a possible story floats for a moment or two, I dismiss it or mentally file it. It’s how I see the world and try to make sense of it. It’s the way my brain works. I know other people who feel the same, and I know plenty of people who don’t. I can’t turn it off, it’s part of me, which is why when I don’t write stories still waft in and out of my consciousness.
Countless times I have read or been told that to be a writer one has to write, which is fair enough surely. If you’re not writing you’re not a writer are you? But what you could be is a story teller, soaking up those moments, absorbing the possibilities and waiting to see if you feel like writing. Yup, I said “feel like”. Gasp. Because the other thing I read/get told repeatedly is that a writer HAS TO write every day. No matter if you feel like it or not, if you want to earn the label writer then damn you, you’d better fucking write.
Really?
So if I am erratic, chaotic, slave to my own whims, ill health, duties and so on, then my words aren’t as valuable as they could be if I forced them out every day? I think that’s untrue. For quite some time I gritted teeth and wrote daily, determined to prove my worth as a writer and do whatever is necessary, and the words landed on my screen dry as dust. Day after day, nothingy words that I kidded myself I could “polish and shine.”
Now I know, they were worthless. They remain useless. Meaningless. I stopped writing. And I have heard more than once that if you can’t cope with the grind then maybe you’re not cut out to be a writer. That makes me want to tear down walls and bellow – “How dare you be so judgmental?” I think everyone should deviate from whatever feels wrong. I detest the prescriptive advice of “write everyday, at least X amount of words”. I want to challenge this wisdom. Or what? You have to write X amount of words per day or else you can’t be in my gang? If you don’t write daily you aren’t serious enough? Really? I am pretty damn serious about my words actually, that’s why the cheap, easy words that I spewed out felt so crappy.
On Sunday I wrote a flash, it bubbled up inside me on Saturday, insisted on being written. I like it, it has something that was lacking in all my daily words, some heart.
I’m not a big cheese author but I have had some successes, been published in some fabulous places, placed in competitions, had positive feedback and even, gasp, payment for my words. I’m a mother, a human, a writer, a bookseller. You telling me I don’t have the right to call myself a writer is as ridiculous as you saying I’m not a bookseller because I only work one day a week at the bookshop.
A just for fun no prize at all (just a warm, smug glow of being right) little quiz
In the bookshop we have CCTV, an alarm system, and a full time Security Guard. We stick security tags in books that we think are most likely to be stolen. My colleague urges me to tag books by three fiction authors in particular. Anyone care to guess the names of these most likely to be pinched writers?
Edit – Our fiction floor is separate from our Sci fi and fantasy books, our crime and horror novels, and our young adults and children’s fiction.
Reviews galore (including "Punk Fiction", "What Becomes" and "One More Year")
(Galore is a good word, I haven’t used it for ages I don’t think. I like it. Say it aloud – “galore”, it sounds nice.)
Anyway I have a bunch of reviews online and thought I’d link to them in case anyone fancies a read.
WBQ is now available online as well as in print, and I have a few brief reviews there of (amongst others) Sana Krasikov’s “One More Year”, A.L Kennedy’s “What Becomes” and Andrew Sean Greer’s “The Story of a Marriage”. Clicky here.
The July edition of The Short Review is now live. I reviewed “Punk Fiction” for them.
Using and schmoozing…
I was introduced to a writer recently at a social event. The person making the introduction said something like “Harvey meet Sara, she’s a writer too.” At which I squirmed a little, feeling much further down the rung than this man who has a published collection of short stories. I hadn’t heard of Harvey before I met him, and we don’t stock his book at my bookshop, but I knew he had been published because he had a copy of his own book tucked under his arm.
Anyway, his eyes bounced off me rapidly and he walked away without a word.
A while later he returned beaming.
“Susan says you work at Waterstones?”
“Yes, I do.”
“Ah, lovely…waffle, waffle, waffle.”
I smiled politely, did the chit chat thing for a short time, and then made my excuses. It’s something I am getting rather used to. Writers have to do a ton of publicity and self promotion these days, nobody can blame them for seizing on a possible opportunity, but it does leave a slightly unpleasant taste when they have been so clearly dismissive of me before learning I’m a Saturday Bookseller! Yup, a Saturday bookseller. As in one day a week. And if I get schmoozed for working one day a week in a big bookshop what on earth must it be like for the powers that be?
When I next went to work one of the managers had a chat with me. He’d been put in an awkward position because Harvey had rung the shop, asked to speak to the manager and then said that he’d spoken to me and I had asked him to do a signing at our branch.
!!!
Cheeky fucking bastard.
Harvey will not be appearing at our store, neither will we be stocking his book. It’s not one that we would stock anyway, although if a customer wants a copy we’d happily order one.
What makes me curious is what Harvey thought would happen if we did organise an event for him. He is an unknown author with no press or publicity that I could find. No good reviews of his book, no reason for people to come and hear him read unless they are the sort of person who sees a sign in a bookshop saying “Harvey Doodah will be reading from his collection at xyz” and think, ooh, lovely, I’ll pop along. (Very unlikely.)
It seems fundamental to me that writers having words printed in a book does not automatically lead to sales. One needs reviews, publicity, goodwill, promotion and so on. And people skills probably help too.
Kitchen Sink (no) Drama
I have a new story up at a new lit journal. The journal is “Kill Author” and I know very little about it! “Kill Author” started following me on Twitter and put a call out for submissions. I liked their manifesto, especially this: “Individuality – There are too many writers aping the style of other writers, especially online. And far too many authors still want to be Charles Bukowski. We love Bukowski, but his work’s been done. He did it, and it doesn’t need to be repeated. We want writing where the author dares to explore the outer reaches of their own voice, and see where it takes them.”
I too love Bukowski (his poetry more than his prose) but fuck yeah, real tedious reading all the Buk lites, the wannabe’s but never wills.
And this: “If you knew that you were going to die – shortly, soon, imminently – you would want to get every last word out of your head and onto the page. Not for the sake of crafting perfect prose or poetry that would live on after your final death rattle, but just because it would be necessary. Vital. Urgent. You’d want to communicate while you still had time. You wouldn’t be concerned with fine tuning every last adjective of your literary style. You wouldn’t care about competing with, or even consciously echoing, what the latest cool lit kid was writing. That last rush of words would come out bruised and raw. All heart and liver, guts and spleen.”
Sounds good to me.
I am pleased they have published my oh so jolly story “Kitchen Sink (no) Drama”
(I am lying about my story being jolly!)
Pandemonium
Well, as my own writing shrivels and dies (it’s ok, I’m just being dramatic) it’s nice to know that someone else’s is alive ‘n kicking. I spoke to Dylan’s English teacher this week, and she told me that Dylan is the sort of boy that makes her life easier as he responds so intelligently to poetry and stories. She scribed for him in his SAT’s and said she thought he did really well. Anyway, I know that my Dilly really enjoys English class and making up stories but it’s been a while since I’ve read anything of his. He spends his time at home talking about wrestling, playing wrestling games on his wii, watching wrestling on tv, and the only reading he does is reading wrestling magazines (fairly typical for a year 6 eleven year old boy I think.) Tonight he brought his schoolbook home, and I read this piece which he says is his best work yet. He told me that he spent 5 days writing it, and used a thesaurus to get some cool words. I may be biased, but wow. His prompts were to describe an island surrounded by sea with some animals and people on.
Pandemonium by Dylan Crowley
There was a dark storm with a crackle of lightning and a loud bang of thunder. The fire from the volcano was dripping down making a huge pandemonium. The young look out was experienced but had never seen anything like this before.
The wild pigs were searching for food, fighting for survival. The sea was getting rougher, it was like two colossal buildings smashing together. This dramatic scene was made worse as two eyes like yellow headlights were watching the whole time. Unnoticed by the people of the island the eyes disappeared behind the volcano.
The look out was exhausted, he had been working the whole day. He felt that he needed to stay awake. Superstitious that something, he was not sure what, was tracking him and the villagers.
Slowly even slower the beast emerged from the depths of the volcano. It seemed the whole of hell had unleashed its spirits.
The volcano erupted!!!
Person comes into the bookshop and says…
1) Person comes into the bookshop and says “I have written a book. Who do I get to publish it please?”
2) Person comes into the bookshop and says “I am an author and I am prepared to do an event here.”
3) Person comes into bookshop and says “I was in here a few weeks ago and saw a book on that table over there. It was browny red I think. What was it?”
4) Person comes into the bookshop and says “Three for two? Oh that’s typical, it’s the cheapest one that’s free. Tut.”
Grey Sparrow Journal – hurray!
Grey Sparrow Press is a publisher of art and literature online and in print. Grey Sparrow Journal has just published its first issue. I’m delighted that they feature not one but two of my tiny fictions: “The Visit” and “View”.
I’m in very good company there. Randall Brown, Stefanie Freele, Beth Thomas, Richard Osgood, David Erlewine and Elizabeth Creith are just some of the other contributors. Good words.
