All Fours by Miranda July

Miranda July is always interesting and writes with appealing and strange honesty. To read a novel where the narrator is an intelligent middle-aged woman , independent and even (gasp) sexual, is a treat. How many novels have been written where an old male professor of literature or similar has an active sex life with a younger woman – yawn. All Fours shouldn’t feel so unique but is. The narrator is supposed to go to New York for a 3 week work trip and is persuaded to drive – road trip! Instead, she only makes it to a nearby town where she spots a handsome young guy working in Hertz. She holes up in a motel for the night and then…  just stays.

This quote stopped me and had me sending it to my pals in one of those glorious connection moments with the note “THIS! Exactly this” – “If birth was being thrown energetically up into the air, we aged as we rose. At the height of our ascent we were middle-aged and then we fell for the rest of our lives, the whole second half. Falling might take just as long, but it was nothing like rising. The whole time you were rising you could not imagine what came next in your particular, unique journey; you could not see around the corner. Whereas falling ended the same way for everyone.”
This is a novel about someone examining aging, being a mum, wife, creative artist, friend, taking pause to look at who they are and reconnecting with themselves. It’s also about a peri-menopausal woman having a fierce crush and exploding into their desires.

 I mean, it’s bonkers and all written from a point of monied privilege: the narrator can afford to take this time for personal growth and exploration thanks to a wealthy husband and personal success in an opaque arts related field,. They can leave their child and husband for 3 weeks and then reshape their life. They can pay to have a shabby motel room redecorated in an expensive plush replica of the fanciest of hotel rooms. It’s not relatable. Her lifestyle doesn’t have to be though, it’s enough that these thrilling words are written. The ending wasn’t satisfying for me, but who cares? I love that July writes this messy, complicated, eccentric stuff. Long may she continue.

Our London Lives by Christine Dwyer Hickey

This is one of those delicious immersive novels which saw me both reading late into the night unwilling to leave the story, and putting the book down to wait to finish it because I didn’t want it to be over. I loved the two main characters, Pip and Milly, and it was a pleasure to watch them weave in and out of each other’s lives over the course of 40 years; their stories told in alternating chapters. London is the third main character, its contrasting riches and squalor so much more than a mere backdrop as Christine Dwyer Hickey shows us buildings, architecture, gardens, riverbanks, and squats; the developers who tear down and rebuild, and the people who live, work and visit. This has everything I look for in a novel, incredible writing which draws you in and makes the fictional world real, interesting characters with depth, an insightful look at what it is to be human, and a real sense of jeopardy as these two troubled people navigate poverty, trauma, addiction and hope.

 Beginning in the late 70’s Pip and Milly, two young Irish people who have moved to London, meet in a pub. Pip’s a promising boxer with a taste for drink, and Milly is a live in barmaid. There are several well rounded and fascinating characters that surround them through the years – Mrs Oak the pub owner who takes Milly in, Trish, another barmaid, Dom, Pip’s older and more successful musician brother, “… it’s not that he doesn’t love his brother, it’s just that he can’t fucking stand him.” and Dom’s son, Max. Even those on the periphery feel real, their conversations natural and distinct. I bloody adored this.