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Category Archives: flash ah ah

If I told you my flash was based on a dream I had about Ted Hughes it’d sound really shit…

But hopefully, it isn’t. Thank you to Lauren Becker for publishing Corium Magazine and including my short, short fiction – The Poet, Ted in the latest edition.

 

 

I wrote this (and if you read it I’ll be glad).

I’m chuffed that the very lovely Camroc Press review have published my flash “What’s Coming” today. And I just reread it and still like what I wrote. Imagine that. Please feel free to feed my fragile ego and tell me how much you like it. (Not even gonna put a winky face here.)

Gavin Emsworth at The Pygmy Giant

My brother sent me an email about a twunty colleague of his and I liked some of his lines so much I took ’em and turned them into a flash which the lovely folk at The Pygmy Giant have just published. It was fun to try and write in my brother’s voice and shape it into a wee story; I just hope his workmate doesn’t happen upon it and recognise himself.

A short fiction of mine up at Cease, Cows

Cease, Cows looks to be a pretty nifty new journal. My ace writing pal, Tania Hershman, encouraged me to send a piece their way, and they published Cara last week. They’ve done a wonderful job finding an accompanying image. It’s a bit different to my usual fiction, maybe even a little sci-fi-esque.


New flash up at The Ilanot Review

I like the Editor‘s note for The Ilanot Review’s summer edition. They asked for submissions for a “hybrid” issue and wanted something different – work that “rejected labels.” The journal is packed with good words from super smart writers like Elaine Chiew, Sarah Hilary, Jonathan Pinnock, Angela Readman and Nuala Ni Chonchuir. It’s pretty damn cool to be appearing in a journal alongside them. I’m pleased with my piece, Immalore. At the risk of sounding like a twat, it’s kinda personal, but ambiguous too, and probably the closest I get to poetry.


Rattle Tales Anthology

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Rattle Tales host lively story telling evenings in Brighton, and invited me to read at one of their evenings last October. I’m chuffed they’ve included my flash fiction in their second anthology, alongside stories by Rattle Tales dynamo Erinna Mettler, Paul McVeigh, and 23 other Sussex writers. For a couple of quid you can download the book here or you can order a printed copy here.

My voice(s)

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Beat The Dust invited submissions for their latest literary experiment. They asked for pieces of 500 words or less, taking as the start point an end line you thought good.

I took my line from Jenni Fagan’s excellent novel The Panopticon and wrote “Again”.

It struck me how the voice I used was at once my own voice, and not my voice. It’s how I speak, sometimes. It’s not how I speak usually. It is my voice. It’s in my head. It feels comfortable, natural. It’s not how my mum sounds, but my dad and brothers do. When I go home, back to where I was raised, that voice, a blending of Essex and East London, a sweary shorthand, feels very usual. Now it’s published, and I read it back, I feel awkward in case someone thinks it’s a patronising kind of mimicry. If you meet me now I probably won’t sound like that. If we have a few drinks in the pub I may well do. (I won’t ever say “nothink” though, I hate that erroneous “k”). My dad is originally from Ireland. He speaks with a British Essex accent but if he meets up with his family his Irish accent reappears. When I was young it sounded like another language. It’s interesting, is it a fake accent or is it his voice?

Seeing as how it’s a piece of fiction anyway it shouldn’t make any odds. But it does, to me. Hence this post.

I really appreciate the work Melissa Mann does with BTD. I like how she invites us to play and stretch and keep on pushing our words. It’s an interesting journal. Oh, and I LOVED choosing my five fave intros. There would be a different five today probably.